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Computer-screen thriller Searching transcends its gimmick

25 October 2018 8:00 PM
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Computer-screen thriller Searching transcends its gimmick

Los Angeles — If Searching, a mystery about a father looking for his missing teenage daughter told only with smartphone and computer screens, sounds like a gimmick, don't worry, you're in good company.

Its star, John Cho, and director and co-writer Aneesh Chaganty thought so too initially. It wasn't even a new concept. The producer for Searching was also behind the "screen thriller" Unfriended, and wanted a follow-up that used the same technique.

But even with its inauspicious beginnings, the film has become a late summer must-see propelled by strong reviews from critics and a warm afterglow following the successful launch of Crazy Rich Asians, which has only bolstered enthusiasm around "Searching" and its Asian-American leads.

In its first weekend in limited release, actress Karen Gillan hosted a free screening of the film. Crazy Rich Asians director Jon M. Chu and star Henry Golding bought out a theatre too. It made an impressive $390 000 from nine theatres and distributor Screen Gems is hoping that momentum continues as it expands to 1 200 screens nationwide this weekend.

Chaganty laughs now about how he was more than willing to walk away from a chance to make his first feature just because he didn't buy into the ploy.

"I like good movies and I want to feel emotional and I don't want to give that up to do something just because there's an opportunity," Chaganty said. "It was a gimmick. I had seen the other films that took place on screens and I thought they were gimmicks."

It's what got Cho on board too, who was put to the test in this role. For the most part, Cho had to act opposite only a blank computer screen and webcam.

"I don't know how I did it, I was bumbling my way through it really," Cho said. "It was weird, it was like acting in a black box ... Several times on set I was like, 'Aneesh can we please stop this webcam business and let's shoot the third act with a bunch of cameras, real cameras and pop out of it? Can we please?'"

According to Cho, Chaganty's response to this was, "John, shut up and act."

While the concept may have been frustrating to execute, however, the final product and story is so seamless it almost makes you forget that you're watching a story unfold through screens.

"After I saw the movie for the first time, I (told Aneesh), 'You have expanded the vocabulary of cinema, and that is so freaking hard to do," Cho said.

Searching, Cho said, is a kind of bookend to Crazy Rich Asians and both are necessary for advancing representation in Hollywood movies.

"That's an Asian specific story and this one isn't," Cho said. "Those are two very important things to say. One is, 'We're going to tell our stories' and the other is, 'Don't limit what our stories are.'"

Chaganty simply wanted an Asian-American lead, and specifically Cho, because those are the families he grew up around in San Jose, California, where the film is set. Other than that, there is no story reason that necessitates that the lead be any ethnicity.

The film's opening and the enthusiasm around it has also made Cho start to reflect on progress. The 46-year-old Korean-American actor's name became its own social media movement in 2016 when a tech savvy man, William Yu, started photoshopping Cho into movie posters for Hollywood blockbusters like Spectre along with the hashtag #StarringJohnCho.

"I've been asked so much about it and it's kind of awkward. The common question is, 'Did it work?' And I'm like, 'I don't know!' In a way I was thinking it didn't work because they were like, 'Oh he's supposed to be Captain America' or something in these big tent-pole movies and while I really appreciated that sentiment, I'm not in any of these franchises. I've got my own, but I'm not in any of those," Cho said.

And yet, he also sees a silver lining. The two movies he's starred in since #StarringJohnCho, Columbus and Searching were directed by Asian-Americans and found their own grassroots success.


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